Luca’s

This postings are a double-blogging exercise. The project’s page is Hanging Garden and Other Tales..


Lucas and Elena with their cactus

Mama Cactus

On new years eve, 2001, a bunch of us went for a big bike ride
around to lots of different parties – in Darlinghurst, Surry
Hills, and Glebe. We figured ti was a good way to get around
town because public transport and taxi are a nightmare on
new years, and it’s fun to ride in a pack, getting a little
drunker. Towards the end of our night (maybe halve past three)
we were riding through Glebe. Jane was there, and Sara Sauce
and Elaine I think. We stumbled across a party which we hadn’t
known about and just popped in . Everyone loves a few extra
guests on new years. I remember meeting Lisa Pryor at this
party, she writes urban reports for the Herald now days, and I
talked to her about her unreal estate project. As we were
leaving near the wooden fence outside this Glebe house I
spotted the embrio of Mama Cactus – just a fragment in the
dust. I picked it up and shoved it in my pocket. A few days
later I discovered the fragment again, when I put it through a
load of washing. It was looking a bit shriveled but I found a
terracotta pot and shoved it in anyway, and put it on my
windowsill. It lived on the windowsill for ages without
anything happening, but one day a bud appeared (maybe a few
months later) and from then on it began to take of. The new
bud was so youthful and bright green in comparison with the
shriveled original stub. I really liked this cactus. Every
couple of months a new bud would appear on top of the latest
one. I took the cactus with me to Adelaide when I did an artist
in residence at the experimental art foundation. The cactus
traveled on the dashboard of the transit van. After a while
bits began to drop off the cactus. I shared these into new
pots and they continued to grow. One of these I gave to Elena
for her birthday in 2004. Jane and I painted “ELENA’S PETITE
CACTUS” on the side of the pot. but now Elena’s Petite Cactus
is much larger than her mum, and Elena tells me that the E.P.C
has itself given birth to many offspring.

The End.

By Lucas, Petersham.

See below for Elena’s Tale

About info

Diego Bonetto is a multimedia artist living and practicing in Sydney, Australia, and is a key member of artists' collectives SquatSpace and the BigFAGPress. -The SquatSpace collective has been producing ground-breaking events and projects since 2000. The group has been curated in a number of shows both in Australia and overseas. The current initiatives, the Redfern-Waterloo Tour of beauty (www.squatspace.com/redfern) tackle issues of social representation and the politics of space generated by gentrification. -The BigFagPress (BFP) is a publishing facility housed in Wooloomooloo, Sydney. The BFP is a salvaged 4-tonnes Off-set proof press. The press allows for the creation of countless artworks by keen printmakers and self-started publishers. www.bigfagpress.org Diego has also been working with WeedyConnection, an environmental art campaign. The project involves an online resource (www.weedyconnection.com), short documentary films, cooking shows, blogs, installations, prints, facebook interventions and various site-specific installations in the form of self-guided tours. WeedyConnection tackle the anthropocentric view of what environment should look like. Based on research and data provided by disciplines as far apart as biology, anthropology, paloenthology, social ecology and ethno botany it formulates ethical questions about cultural representation in times of environmental urgency.
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