How’s this for a change?


Now then, from the Campagna Romana to an industrial estate by the sea.
This is going to be your location for the next 4 weeks, artist in residence at Blast Theory Studios.
The driving force is the same, environment and relationships in this time and age, a topic so big that nowadays they sell cars with it.
Here you’ll expand the work you did last year at Fondazione Pisoletto and exhibited at Parco Arte Vivente in Torino and Artissima.
This time you are amongst the gurus of the medium thou, Blast Theory is the sort of people who gets awards for their interactions with technology, like the IMG award.
Your first steps into the use o the technology as a delivery tool for artistic content go back a fair while, but when you designed, coded and delivered bedaForager you jumped a level.
During this residency you will develop another level, and is gonna be another hell of a jump for sure.
You’ll, hopefully, update regularly.


About info

Diego Bonetto is a multimedia artist living and practicing in Sydney, Australia, and is a key member of artists' collectives SquatSpace and the BigFAGPress. -The SquatSpace collective has been producing ground-breaking events and projects since 2000. The group has been curated in a number of shows both in Australia and overseas. The current initiatives, the Redfern-Waterloo Tour of beauty ( tackle issues of social representation and the politics of space generated by gentrification. -The BigFagPress (BFP) is a publishing facility housed in Wooloomooloo, Sydney. The BFP is a salvaged 4-tonnes Off-set proof press. The press allows for the creation of countless artworks by keen printmakers and self-started publishers. Diego has also been working with WeedyConnection, an environmental art campaign. The project involves an online resource (, short documentary films, cooking shows, blogs, installations, prints, facebook interventions and various site-specific installations in the form of self-guided tours. WeedyConnection tackle the anthropocentric view of what environment should look like. Based on research and data provided by disciplines as far apart as biology, anthropology, paloenthology, social ecology and ethno botany it formulates ethical questions about cultural representation in times of environmental urgency.
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